Criticism. Essay. Fiction. Science. Weather.
week:
1A piece removed. 2Come eat it.
Or don't. 3Wine, Shoulder, Bolt, Socket. 4Mothbombs 5On the road with your only soul. 6One woman's trash is another woman's treasure 7Aliens! Right here in America! 8It's not as crazy as it sounds
or, music is as music does 91) Sign.
2) Hope for the best. 10A friendship in a bottle. 11A five-year-old tries his hand at action adventure. 12Will the circle be unbroken. 1390ways' first Quaterly Review rages on:
2 samples of Fiction. 14Muscles and fat.
A thin layer of sweat. 15Fiction goes serial.
Part 1 has sex and drugs.
You know you want to stay tuned. 16Our fiction serial concludes to cure your
vertigo from last week's cliff-hanger. 17An iced-out 21-speed sensation: The Moves are
all up on your handlebars. 18We're all in this together.
Except those bastards in administration. 19Jilted, laughed at,
and in the air. 20Swirling and swirling... 21You can't make yourself like them, but you have to pretend because they are your family. 22How well do jewel cases retain odor?
About as well as you stink. 23It's black and white. It's old world.
It's photo time. 24Piggy calls, wanting to sell you insurance.
This is what's on the other end of the line. 25A long pause, then, 26Fiction's Second Qaurterly Review
can speak Italian. 27It's only bread, after all. 28It's job search time at 90ways. 29George W. Bush's resting heart rate and a bum in a green sweater. 30Antique weaponry and teenage angst.
Together at last. 31One-hundred-fifty-three syllables
of October fun. 32there is only
self 33She's cold to the touch.
Cold and pebbly. 34Gut-wrenching love.
And wallabies. 35Building a habit out of ivies and orange flowers. 36A 90ways exclusive sneak peak at the
new and groundbreaking Alphabet Book. 37Type it with one hand and
see what happens 38A face any susbsitence farmer could love. 39The Quarterly Review: read it again for the third time. 40For every task, someone is the best.
Sometimes that's impressive. 41I didn't get a computer;
I moved to Indiana. 42A piece removed. 4390ways has new concerns about identity theft. Lock up the children and your sense of self. 44time. eyes. deep sighs. 45I know there's a place 4690 stars are born. 47I had to ask. 48It's about sex.
But isn't that always the way with classical music? 49The epistolary form in the 21st century.
Complete with neuroses and unpunctuation. 50There is no end to the party. 51Rockin to the sweet sounds of prepared food. 52Of or pertaining to. 53Including spaces, this blurb is 90 characters. Ways, words, characters. It is a leitmotif. 54Minnesota. Miami. Poetry in 90ways' Fiction.
It's the best of all worlds. 55It lives and breathes and is hungry for carnival food. 56A piece removed. 57The curtain is being pulled back... 58Up in the Fiction house! It's a bird. It's a plane.
It's an illustralogue! 59The hat, in all honesty, is a private matter. 60Putting up with all the doth. 6190words strike terror into the hearts of the longwinded. 62Return of the illustralogue! 63Take one down, pass it around,
blow your nose. 64A piece removed. 65The First Quarterly Review wants
you to meet its little friend. 66From our servers to your ear buds!
It's misguided enthusiasm, in podcast form! 67Questions for the man himself.
Plus, the podcast adventure continues. 68No one would ever use Starbucks
to define their identity. Right... 69Don't you remember the rose clipped under my windshield wiper like a butterfly under a pin? 70Oh, it's nothing.
Oh, it's life-threatening disease. 71It's not you. It's me.
And my Eurasian captors.
72Root, root, root for the brisk
sale of anything possible. 73Look within the very bowels of the soul.
Or at least your mother. 74We're not strangers any more. 75He knows of what he speaks. 76I find that often times I'm quite
mature enough to enjoy a few beverages. 77He is licking me.
I don't like it one bit. 78Our favorite stuff is coming 'round the mountain, again. 79A wooden-back brush and a homemade bowl of oatmeal. 80A man's home is his... 81Fack to the Buture. 82This dude pulled back on his nose
and mucus and unleashed a city. 83The polls are in. 93% of respondents do not approve of the monkeybone lodged in their lower lip 84Like a thirsty man in the desert 85Taxpayer dollars wasted on broken egg. News at eleven. 86She loves her red octopus.
She will chew it to death. 87Bubbling, gurgling, fighting a moment to stay afloat. 88Molting our pasts into the air... 89The Return of 90 Words 90It comes but once a... ever. 91Thanksgiving, Christmas, New Year's, the end of the Fiscal Quarter. 92The 540 word circle is now unbroken. 93An emptying out of the animus, perceived as tranquility
94All roads lead to South Dakota. Or at least the I-90 does, anyway. 95He laid down his whittling knife and he and his brother took up arms in rage. 96Drinking manhattans made with a good bourbon, and strong. 97Living white and pudgy, I never expected much for myself. Now, I could tell that was true. 98A few gestural lines towards the thought of death. 99Rest in peace.
I know I will. 100And then we played baseball and then we played army and then we were best friends. 101We torn holes in sheets and became ghosts for each other's pleasures. 102I looked at the pictures of you, twenty years old,
sometimes skinny and sometimes your face a soft moon.
103Fingers clutching little trinkets of the day... 104All roads lead to South Dakota. Or at least the I-90 does, anyway. 105Everywhere signs of an interstice arriving. 106What you see and what you believe are two different things. 107It was as if a million literary ghosts poured from its pages, moaning to be set free. 108So what if too many times we have been here, both
lost in our machinations...
The Post 11-2 World
Paul Gacioch
It is a dreary, damnable November night when my vote and I sit apprehensively in our recliners, watching the returns come in. The horror: midwestern red comes in much faster than midwestern blue, our senators are falling; the water surrounding our pretty liberal islands is rising and its sharks are growing legs. My vote goes out for a walk, it needs to assess the scope of the disaster and consider its options. Of course, a good number of walks terminate in bars, and given that night's horror, drinking is inevitable.
My vote, despite its loneliness, is not alone – many votes sit here grieving, arguing, commiserating. They all shoot tequila. My vote chats up a vote who has amazing sapphire eyes and their decision to leave together is half reckless resignation and half attempted distraction; but by then a cruel sunrise is faint in the east and my vote is rendered impotent by all the alcohol and the two votes roll away from each other and sleep fitfully and suffer cottonmouth nightmares. My vote stumbles home in the bleary, red-eyed afternoon.
Do not turn on the news, my vote says, Please, anything but that. I say But there will be recounts. It says None will matter. I say We will never allow men with swords to ascend our mountaintops. And my vote laughs in the way that one must laugh precisely because nothing is funny. We do not, and cannot, speak to one another. When I wake the following morning my vote is gone, along with my credit card. Go, I say aloud, have some fun, return when you feel better.
A credit card statement arrives, I follow the charges. I too fly to the Azores. I check into the same hotel and walk to the beach. Once there, I fantasize about a reunion with my vote: we would regard the pretty blue water, the pretty blue sky. I would ask my vote to come home, but if it responded We are already home, then I would not disagree, and we would remain there until our nation, and perhaps our world, decided to share in the peace that we already enjoyed.
Alas, I do not find my vote in the Azores. I receive a new statement and follow the charges to Kiev. I do not find my vote in Kiev. I do not find my vote in Bamako. I do not find my vote in Bhutan, East Timor, or Jerusalem; nor Quito, Kyoto, San Salvador. I meet people who have met my vote. They hesitate to share information with me. I wonder: is it because they fear my reaction to sad news, or because they fear betraying their new, sullen friend?
In Amsterdam I follow the credit card charges to a prostitute. I must reassure her of my good intentions, and I must pay her for conversation only, but finally she tells me my vote laughs the laughter of those who want to but cannot mask their melancholy; she tells me my vote drinks to kill its hangovers; she tells me my vote always wears a new scar and a newer wound; she tells me I might no longer recognize it if I passed it in the street of the world.